Shakespeare Is Everywhere: Editorial Haiku Edition

Figures that Big Bill would infiltrate a poetry contest for editors:

Let us not

to the marriage of two clauses

admit a comma splice.

–Adriana Cloud, Winner of the American Copy Editors

Society Grammar Day Tweeted Haiku Contest

“Fie on you all! You editor folk alter wherever you alteration find!”

Haiku Hope: For the 98% Who Didn’t Get into Rattle

Hey, all you Fickle Haiku Writers Who Didn’t Get into Rattle Magazine’s Special Haiku Issue! Do you still have your four pages of Japanese-form verse? Then I have a few markets for you to try! I happen to have a contact in the haiku world (she, by the way, got four haiku into Rattle; want to know how many I got? It rhymes with “dear-o”) who gave me links for a few haiku pubs that are accepting submissions until December 15: The Heron’s Nest and A Hundred Gourds (NOTE: A Hundred Gourds is an Australian journal, so if you don’t live down under or thereabouts, you’ll want to get your material there by December 14th.)  There’s also bottle rockets and Modern Haiku, both of which accept submissions year round but have very specific requirements, so read all guidelines carefully.

If your four pages aren’t burning a hole in your pocket and you can wait until 2015 to send them out, here are some other haiku journals of note:

Acorn (accepts submissions January-February and July-August only)

Frogpond (accepts submissions February 15- April 15, June 1-August 1, and September 15-November 15; full disclosure: I’ve had one modest haiku published in Frogpond–really nice publication from the Haiku Society of America)

So there you have it: multiple places to send your Japanese formal poetry and mend your broken haiku heart. Also, this bit of news might help: my contact says that Timothy Green, the editor of Rattle, said he only had room for 40 contributors. Know how many of us submitted? Over 2000. A 2% acceptance rate is pretty much a lotto drawing. So don’t sweat the rejection and keep writing and submitting!