Howdy, Fickle Readers!
Unfortunately (or, as Little Fickle would say, unfortunarily), I don’t have time to give this piece the thorough analysis it deserves. But I did want to let everyone who’s been following my modest Jan Hooks coverage know that Mike Thomas, the journalist who published a biography of Phil Hartman in 2014, has just published a lovely retrospective article in Grantland on Hooks’s life and death. In the piece, he fully discloses the details of Hooks’s struggles with anxiety, isolation, and illness, as well as her rocky relationship with her own fame and talent. It’s an eye-opening piece. In this day and age, when fame is one of the be-all, end-all life goals for many, when someone invented not only the selfie but the selfie stick (hopefully someday God will forgive us for that monstrosity), Hooks seemed to be searching for a middle ground–one that would let her be herself and pursue her creative interests without having to get entangled with the demanding, draining constraints that showbiz puts on its actors. I’m not sure that she ever found it, but she did seem to find some peace being able to control the work that she took on and (maybe) being able to be herself when no one was all that interested in her quirky take on life.
I don’t know. I’m trying to glean a positive spin on her largely sad ending. Thomas works very hard to show that Hooks lived and died on her own terms. Many in modern Western society might deem those terms tragic–an early death in a remote location, far from the eyes of critics and fans alike–but Thomas insists that she made all her own decisions, and one of those decisions was that the limelight wasn’t for her. One wonders if the reason why she disliked the entertainment world so much was because there was no place for an original voice like hers.
I hope that Thomas or others will continue the discussion on Hooks. I hope this article means that there may be a new biography coming out. Hooks deserves her own space, despite the fact that she decided to abandon the very thing that placed her in the public eye. In an age when Julia Roberts is the gold standard for the ambitious actress, it behooves us to examine what fame means to women who are not the ideal and, moreover, don’t want to be.